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		<title>Representing Valerie Solanas:  Productions of Gender and Sexuality in The Factory</title>
		<link>http://folkloreforum.net/2011/10/04/representing-valerie-solanas-productions-of-gender-and-sexuality-in-the-factory/</link>
		<comments>http://folkloreforum.net/2011/10/04/representing-valerie-solanas-productions-of-gender-and-sexuality-in-the-factory/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 17:20:36 +0000</pubDate>
		<dc:creator>folkpub</dc:creator>
				<category><![CDATA[Gender]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Performance]]></category>
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		<guid isPermaLink="false">http://folkloreforum.net/?p=629</guid>
		<description><![CDATA[Representing Valerie Solanas:  Productions of Gender and Sexuality in The Factory Sayo Yamagata City University of New York Abstract: This essay explores the musical and artistic reactions to Valerie Solanas’s shooting of Andy Warhol in order to demonstrate how acts of violence, artistic representation, and constructions of gender not only inform, but also enforce one [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=folkloreforum.net&#038;blog=2501981&#038;post=629&#038;subd=folkloreforum&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Andy Warhol Gun</media:title>
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			<media:title type="html">lou reed&#039;s Rock n Roll Animal</media:title>
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		<title>Philip Hayward.  Bounty Chords:  Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands.</title>
		<link>http://folkloreforum.net/2011/03/25/philip-hayward-bounty-chords-music-dance-and-cultural-heritage-on-norfolk-and-pitcairn-islands/</link>
		<comments>http://folkloreforum.net/2011/03/25/philip-hayward-bounty-chords-music-dance-and-cultural-heritage-on-norfolk-and-pitcairn-islands/#comments</comments>
		<pubDate>Fri, 25 Mar 2011 16:21:00 +0000</pubDate>
		<dc:creator>folkpub</dc:creator>
				<category><![CDATA[Book Review]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://folkloreforum.net/?p=546</guid>
		<description><![CDATA[Philip Hayward.  Bounty Chords:  Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands.  Eastleigh, UK:  John Libbey &#38; Co, 2006. Pp 256.  £15.00. Kevin Hood Indiana University In Philip Hayward’s Bounty Chords seemingly every aspect of music on Pitcairn Island and Norfolk Island is examined to the finest detail, leaving no proverbial stone unturned.  [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=folkloreforum.net&#038;blog=2501981&#038;post=546&#038;subd=folkloreforum&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Fruits and Culture: A Preliminary Examination of Food-for-Sex Metaphors in English-language Caribbean Music</title>
		<link>http://folkloreforum.net/2011/03/21/fruits-and-culture-a-preliminary-examination-of-food-for-sex-metaphors-in-english-language-caribbean-music/</link>
		<comments>http://folkloreforum.net/2011/03/21/fruits-and-culture-a-preliminary-examination-of-food-for-sex-metaphors-in-english-language-caribbean-music/#comments</comments>
		<pubDate>Mon, 21 Mar 2011 21:27:13 +0000</pubDate>
		<dc:creator>folkpub</dc:creator>
				<category><![CDATA[Foodways]]></category>
		<category><![CDATA[Gender]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Sexways]]></category>

		<guid isPermaLink="false">http://folkloreforum.net/?p=522</guid>
		<description><![CDATA[Fruits and Culture: A Preliminary Examination of Food-for-Sex Metaphors in English-language Caribbean Music Lyra Spang Indiana University Abstract: The purpose of this paper is to examine the ways that food, sexuality and gender roles interact in the Anglophone Caribbean, specifically in the country of Belize. Using analysis of food-for-sex metaphors in popular music, it explores [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=folkloreforum.net&#038;blog=2501981&#038;post=522&#038;subd=folkloreforum&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>3</slash:comments>
	
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		<title>Public, Private; Contemporary, Traditional: Intersecting Dichotomies and Contested Agency in Mainline Protestant Worship Music</title>
		<link>http://folkloreforum.net/2010/04/19/public-private-contemporary-traditional-intersecting-dichotomies-and-contested-agency-in-mainline-protestant-worship-music/</link>
		<comments>http://folkloreforum.net/2010/04/19/public-private-contemporary-traditional-intersecting-dichotomies-and-contested-agency-in-mainline-protestant-worship-music/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 14:48:53 +0000</pubDate>
		<dc:creator>folkpub</dc:creator>
				<category><![CDATA[Belief]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[North America]]></category>

		<guid isPermaLink="false">http://folkloreforum.net/?p=361</guid>
		<description><![CDATA[Public, Private; Contemporary, Traditional: Intersecting Dichotomies and Contested Agency in Mainline Protestant Worship Music Deborah Justice Indiana University Abstract: The current ‘contemporary’/’traditional’ worship music controversy, although cloaked in the guise of novelty, illustrates how the historical  interplay between embracing and abandoning black-and-white oppositions is unfolding within post-millennial Western Christianity. Over the past forty years, mainline [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=folkloreforum.net&#038;blog=2501981&#038;post=361&#038;subd=folkloreforum&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
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			<media:title type="html">Figure 1</media:title>
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			<media:title type="html">Traditional service: choir processing</media:title>
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		<title>Lovesick Blues: Music and Nostalgia on Lower Broadway, Nashville, Tennessee</title>
		<link>http://folkloreforum.net/2010/03/29/lovesick-blues-music-and-nostalgia-on-lower-broadway-nashville-tennessee/</link>
		<comments>http://folkloreforum.net/2010/03/29/lovesick-blues-music-and-nostalgia-on-lower-broadway-nashville-tennessee/#comments</comments>
		<pubDate>Mon, 29 Mar 2010 17:59:57 +0000</pubDate>
		<dc:creator>folkpub</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[North America]]></category>

		<guid isPermaLink="false">http://folkloreforum.net/?p=332</guid>
		<description><![CDATA[Lovesick Blues: Music and Nostalgia on Lower Broadway, Nashville, Tennessee Timon Kaple Indiana University Abstract: There are a handful of city blocks in Nashville, Tennessee, that constitute the area known as “Lower Broadway” on Broadway Avenue. Known as the city’s premier hotspot for live music, this area attracts a wide variety of patrons: regulars, locals, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=folkloreforum.net&#038;blog=2501981&#038;post=332&#038;subd=folkloreforum&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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