Narrative


Tomas Huanca L. Tsimane Oral Tradition, Landscape, and Identity in Tropical Forest. La Paz, Bolivia: SEPHIS – South-South Exchange Programme for Research on the History of Development. 2006. Pp. iii+279, color and black and white photos, line drawings, and designs, color and black and white maps, index., glossary of indigenous terms.

Fredericka Schmadel
Indiana University

Tomas Huanca L., who lived with the Tsimane in Amazonian Bolivia for nine years, documented their traditions, oral history, and myths, retreating now in the face of outside pressure. He includes helpful chapter summaries, many photographs, maps, and charts, a glossary of Tsimane terms, a pronunciation guide, and a bibliography with extensive oral archival as well as scholarly sources. However, once the reader has found a useful section on a topic — a trickster figure, the use of tobacco and/or beer in healing ceremonies, or the Masters of the Game — compare-contrast material will be lacking. It is almost as if the Tsimane, alone among indigenous groups, incorporated tricksters, beer customs, and the like into their world view. This is most decidedly not the case. For this reason, readers who are familiar with other Amazonian indigenous communities will benefit from this ethnography more than readers looking for an introduction to the field.

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Mary Noailles Murfree. Ed. Bill Hardwig. In the Tennessee Mountains. Knoxville: University of Tennessee Press, 2008. Pp. xlviii +167. $24.95 paper.

Danielle Quales
Indiana University

The main body of this text was originally published in 1884 by Mary Noailles Murfree under the pseudonym Charles Egbert Craddock.  This collection of eight tales in the popular American local-color style of the late 19th and early 20th centuries is well known to scholars interested in regional studies of the United States, most specifically in the Appalachian region that is treated in Murfree’s sketches.  Murfree came from a wealthy, flatland Tennessee family and spent summers in the mountains interacting with the locals and becoming familiar with Appalachian culture, which was the alleged inspiration for this collection of stories.  Even though these stories were popular with her middle-class readership at the time of publication, In the Tennessee Mountains has come to be regarded as an unfair, stereotypical portrayal of mountain people by the vast majority of scholars in more recent years.  This new edition, though, provides an intriguing introduction to the collection written by Egbert Craddock that makes the book more appropriately contextualized and thus more informative.  Hardwig firmly places Murfree in the social and academic milieu of her time, thus showing both the value of her scholarship in its time period and its shortcomings.  Hardwig gives the reader important biographical information on the writer that give the modern reader a deeper understanding of her reasons for writing about mountain culture. (more…)

William Schneider, ed. Living With Stories: Telling, Re-telling, and Remembering. Logan: Utah State Press, 2008. pp. 175 pages. ISBN: 978-0-87421-689-9 (cloth) $27.95 cloth, $23.00 e-book.

Kristiana Willsey
Indiana University

Living With Stories grew out of a panel at the 2004 U.S. Oral History Association meeting, and its structure consciously echoes that of a conference session—each chapter is deepened and developed by a following interview between the chapter’s author and a notable scholar whose own, related research makes them uniquely able to expand upon the original paper. These “conversation” chapters extend to the reader a sense of privileged participation, a vicarious presence at an especially coherent and insightful conference discussion. The transcribed conversations are more engaging, and more truly dialogic, than the usual “response” essays in similar volumes. (more…)

Negotiating a Shire: The Transformation of Local Values in the Society for Creative Anachronism

Suzanne Barber
Indiana University

Abstract:

The Society for Creative Anachronism is an international non-profit organization and is often depicted and discussed as a large homogeneous organization. Instead, in this work I have analyzed a smaller group, Loch an Fhraoich. Loch an Fhraoich, whose values and identity center around camaraderie and narrative and aesthetic coherence must attempt to balance these two often contradictory principles. This can be examined in light of narrative construction and maintenance. The Society for Creative Anachronism supports an official homogenous metanarrative.  At every level these narratives connect the individual and group to others, creating a network of relationships and shared narratives that help create a sense of unity and prevent a fracturing of voices and thus support the overriding metanarrative. In order to prevent this system from collapsing inward or fracturing apart, a certain amount of playful transgressive metalepsis and edgeplay must be allowed. The negotiation of this edgeplay is debated, and the style and amount tolerated is often a distinguishing mark between groups. Some key contestations that I have focused on where this debate occurs include the levels and types of anachronism allowed, the types of partying and practical jokes encouraged or discouraged, costuming, and the understanding of honor and chivalry. (more…)

Mythic Narrative Performances: The Myth of the Kharisiri

Vannessa Pelaez-Barrios
Indiana University

Abstract:

In this essay, I analyze and explore the linguistic and poetic dimensions of language used by people I interviewed about a mythic narrative with controversial content. Because of the nature of these oral narratives, performers have to position themselves with care to avoid misunderstandings in their narratives. The purpose of this paper is to understand that moments of speech are significant elements in ordinary social encounters. (more…)

Biscuit Revivalism: Salvaging Southern Foodways in the Family and Beyond

Whitney Brown
University of North Carolina

Abstract:

The field of folklore has been preoccupied historically with  authenticity.  But what happens to authenticity when real life  necessitates practical changes to tradition?  Through the material  culture and memories of the kitchen and table, “Biscuit Revivalism”  traces the evolution of Southern foodways across three generations of  one family.  Their lifestyle and dietary changes give rise to many  questions about tradition and its continuity (or obliteration), and  their particular story is emblematic of a larger one transpiring  across the modern-day South.  This paper considers the influence of  memory, nostalgia, class, education, travel, feminism, politics, and  health as it explores the process by which individuals negotiate the  traditions of family and region.  A meditation on tradition, “Biscuit  Revivalism” demonstrates that not only genes, but also stories,  recipes, and skillets tie the twenty-first century Southern woman to  the her Depression-era counterparts.  While by turns it is  romanticized, hybridized, or cast aside completely, tradition, in  fact, finds its strength in change. (more…)

Testimony and Truth After Auschwitz

Sarah Gordon
Indiana University

Abstract:

Survivor testimony of the Holocaust often deviates from historical fact.  Postmodern theory allows for the near nihilation of that testimony by arguing that history is nothing but a version of events.  This paper seeks to authenticate survivor testimony in a postmodern context through the exploration of an ethics of testimony, concluding that factual truth and testimonial truth are members of fundamentally different categories, the latter dependent not on accuracy but on the social, ethical mandate to respect the memory of people who suffer and die so that others may live to tell the story. (more…)

So, What Is the Story Behind This Name?: Royal Praise-Poetry As an Oral Mythic Narrative

Abdulai Salifu
Indiana University

Abstract
The Dagomba praise singing genre of northern Ghana employs figurative language to recapture historical events in the political life of the people. A reigning chief occupies a central, pivotal position in the daily life of the community and is seen as a reincarnation of his ancestors, whose exploits are used to praise him or her. Royal praises rely on stories which depict supernatural ancestral achievements. This piece looks at the metaphors and mythical elements to be found in the language used to praise a chief during a social event in Tamale, Ghana, and focuses on the mythical elements in the praise song, based on real historical events. This happens in the context of a revered epic tradition at a Dagomba King’s palace.


The praise names drummers sing or use to address their patrons at ceremonies are abridged historical mythic narratives, taken from the myths and legends of the Dagbamba (also called Dagombas) of Northern Ghana. The narration assumes mythical dimensions and religious beliefs and practices are woven into the telling of the tale.

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Healing Charms and Family Legends:
Passing on Beliefs Through Québécois Maternal Lineage1

Julie LeBlanc
Memorial University of Newfoundland

Abstract

This article examines how emotions in fieldwork may both prevent and encourage the transmission of folklore.  It illustrates a specific healing charm legend told by the author’s maternal family members in the province of Québec, Canada.  Through her family members, Julie M-A LeBlanc examines the sense of sorority and the role of women in storytelling, a tradition mainly associated with men in Québec.  This article also discusses bonding experiences as they are created amongst women when sharing family narratives as a cathartic response when faced with a family member’s fatal illness.  She argues that a sense of urgency may stimulate spontaneous storytelling, such as the case with family members when death or the fear of losing memories is present. (more…)

Jack Zipes. Hans Christian Andersen: The Misunderstood Storyteller. New York: Routledge, 2005. Pp. xvii + 171, bibliography, film bibliography, index.

Steve Stanzak
Indiana University

As the subtitle suggests, this work by distinguished fairy tale scholar Jack Zipes endeavors to dispel the romanticized image of Andersen in popular culture by offering a more accurate and nuanced examination of the Danish storyteller. Although published during the bicentennial commemoration event of Andersen’s birth (the book carries the event’s logo), Zipes nevertheless avoids celebrating Andersen. Instead, Zipes aims to reevaluate the life and works of the prolific storyteller so that he may be taken as a serious literary figure. (more…)

Laura Gonzenbach. The Robber with a Witch’s Head: More Stories from the Great Treasury of Sicilian Folk and Fairy Tales. Trans. Jack Zipes. New York: Routledge, 2004. Pp. xxxii+230. Illus., notes, bibliography.

David Elton Gay
Indiana University

The Robber with a Witch’s Head is the second volume of Jack Zipes’s translation of Laura Gonzenbach’s nineteenth-century collection of Sicilian folk narrative. While this volume completes the translation of Gonzenbach’s work, the introduction to the volume is a slight revision of the introduction to the first volume, and thus it could easily stand alone as a translation of Italian folk narrative. (more…)

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