William Lynwood Montell. Tales from Kentucky Doctors. Lexington, KY: University of Kentucky Press, 2008. pp256 cloth $24.95, ebook $24.95.

Donald E. Clare

In today’s modern world of advancing electronic technology and data management, health care delivery, compared to that of one or two generations ago, has changed just as much as automobile design and manufacturing has changed since Henry Ford’s first Model T replaced the horse and buggy. But not all change is good. Sometimes change neglects to preserve the human element and, in so doing, forfeits such characteristics as caring, dedication, vocation, commitment, and sacrifice. (more…)

Beneath the Outrage: 2009 Task Force Recommendations Undermine Online Breast Cancer Community

Christal Seahorn
University of Louisiana at Lafayette

Abstract:
In November of 2009, the United States Preventative Services Task Force (USPSTF) released medical recommendations suggesting a significant reduction in the use of mammography and self exams in breast cancer diagnosis. This paper examines forum threads from the Susan G. Komen message board that captures the immediate outrage and confusion of a group of breast cancer survivors. Analyzing this online communication reveals the ways in which the USPSTF announcement threatened the community’s trusted rituals, traditions and belief systems and aims to bring the unique values of the breast cancer community into a larger academic awareness. This study demonstrates how the mishandling of the 2009 announcement highlights the importance of moving beyond strictly scientific methodology to a greater use of applied folklore and ethnographic analysis to better respect the unique needs of patient groups.

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Maryline Parca and Angeliki Tzanetou, eds. Finding Persephone: Women’s Rituals in the Ancient Mediterranean. Bloomington, IN: Indiana University Press, 2007. 289 pp. $65.00 cloth, $24.95 paperback.

Nichole Tramel
Indiana University

Finding Persephone: Women’s Rituals in the Ancient Mediterranean sheds light on an oft-ignored issue in classical studies: women’s religious roles. Because of the stark division of male and female spheres of influence in the classical world, and the fact that the primary recorders of ancient ritual were men, the evidence for the religious lives of ancient women is scant. Finding Persephone is intended to fill this gap in scholarly literature. (more…)

Mythic Narrative Performances: The Myth of the Kharisiri

Vannessa Pelaez-Barrios
Indiana University

Abstract:

In this essay, I analyze and explore the linguistic and poetic dimensions of language used by people I interviewed about a mythic narrative with controversial content. Because of the nature of these oral narratives, performers have to position themselves with care to avoid misunderstandings in their narratives. The purpose of this paper is to understand that moments of speech are significant elements in ordinary social encounters. (more…)

Jim Pieper. Guatemala’s Masks and Drama. Torrance, Calif: Pieper and Associates, 2006. pp284. $65.00 hard cover, $45.00 paper.

Mary Mesteller
Indiana University

Guatemala’s Masks and Drama by Jim Pieper aims to give an analysis of masks as an object as well as to discuss their role in Guatemalan culture, particularly in public dance performances, rituals, and festivals. Another function is to aid mask collectors in both acquisition and evaluation. Arranged topically, Pieper first discusses the history of Guatemala and then the history of masking in general. From there, he describes different aspects of masks as objects, and closes the book with a series of chapters discussing various uses of masks within Guatemalan folk culture. Addressing multiple audiences, the book is also multi-purpose and could be a relevant piece of introductory literature in a variety of fields. (more…)

Dear Reader,

In the Fall of 2009, Folklore Forum issued a call for papers on cultural manifestations of violence and socio-cultural trauma. It was a weighty topic, but one selected after review of current trends in scholarship in the fields of Folklore and Ethnomusicology. We structured the call for papers to capture the full scope of research related to the topic. To our delight, the articles in this issue also show a broad range of ways that scholars are examining violence and socio-cultural trauma.

Vannessa Pelaez-Barrios examines the performance of narratives about the Kharisiri, a figure from Andean legend that feeds on victims by extracting their blood and fat in “Mythic Narrative Performances: The Myth of the Kharisiri.” These legends are full of violence themselves, and often seem to flourish in times of violence or in response to trauma. Pelaez-Barrios analyzes the performative and linguistic techniques employed by storytellers to argue that such ritualistic techniques function as “security devices” to mediate the danger inherent in the narratives.

In “Beneath the Outrage: 2009 Task Force Recommendations Undermine Online Breast Cancer Community,” Christal Seahorn examines trauma on two separate levels. First she shows how the support of online communities has served to ameliorate the trauma of breast cancer for patients and survivors. Second she analyzes the trauma caused by changes in the recommendations for breast cancer screenings on those online communities. Seahorn argues that the folk discourse on the Komen forums helps to show how breast cancer patients formed their epistemological frameworks and demonstrates the power of such communities.

Sayo Yamagata looks at yet another aspect of violence and trauma in “Representing Valerie Solanas: Productions of Gender and Sexuality in the Factory.” She examines the artistic responses to Valerie Solanas’ attempted assassination of Andy Warhol as a means of understanding gender constructions created by Warhol’s acolytes. Yamagata compares the violence inherent in this response with Solanas’s own writings on gender.

These three articles discuss very different forms of violence and socio-cultural trauma. Yet they approach them from very different angles. We hope that Folklore Forum’s online publication format will facilitate further discussion about these articles and the diverse issues they raise.

Kristina Downs
Editor, Folklore Forum

Jarold Ramsey and Lori Burlingame, eds. In Beauty I Walk: The Literary Roots of Native American Writing Albuquerque:  University of New Mexico Press, 2008.  6 x 9 pp 395. $27.95 paper.

Megan Ellingwood

This anthology of Native American writings compiled by Jarold Ramsey and Lori Burlingame provides a historical background of different types of Native American literature by bringing stories and songs from some of the great Native writers from various tribes together into one comprehensive volume. They collected these works from the memories of tribal groups as well as anthropologists, folklorists, and linguists. Almost all of these works are texts that were translated directly from native performances or linguistically sound transcripts because the authors believed that English retellings took away much of the original intent and therefore did not consider them viable sources. (more…)

Beijing Duck 2008: Culinary Tourism, Cultural Performance, and Heritage Protection

Curtis Ashton
Utah State University

Abstract:
During the 2008 Olympic season, two rival restaurants in Beijing saw an opportunity to proclaim their signature dish of Beijing Roast Duck as authentic cultural heritage. Among the strategies they employed to bolster their claims, both restaurants took advantage of new laws to open museums about their duck. Culinary Tourism as developed by Lucy Long and other folklorists provides a useful framework for analyzing this cultural performance.

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Emily Mendenhall, ed. Global Health Narratives: A Reader for Youth. Albuquerque: University of New Mexico Press, 2009. Pp. xvii+216, glossary, contributors, line drawings, maps, index. $21.95 paper.

Nicholas Hartmann
Memorial University of Newfoundland

Global Health Narratives: A Youth Reader has social action at its core, utilizing the personal experience narrative to promote intercultural dialogue and to reveal the realities of how health issues affect youth throughout the world.  Inspired by a course on narrative and health at Emory University, Mendenhall’s collection is a starting point for its readers, whether they are sixth-graders, university age, or scholars, to reflect upon their own health experiences. (more…)

The Snob, the Rube and the Connoisseur: Sideways and the Legitimation of “Culinary Capital”

Margot Finn
University of Michigan

Abstract:

In this essay, I analyze the critically-acclaimed 2004 film Sideways and its effect on the U.S. wine industry. I argue that part of the film’s popular appeal was its successful negotiation of two desires that often seem contradictory: the desire to appear sophisticated in the realm of food and drink and the desire to avoid seeming pretentious or be branded a “food snob.” Ultimately, Sideways argues that “good taste,” which functions a form of “cultural capital,” is meritocratic. Like all meritocracies, the “meritocracy of taste” obscures the structural differences that make the tastes and practices constructed as valuable and desirable more accessible to some people. It also enhances the pleasures and rewards of having good taste, by constructing “culinary capital” as the result of talent and effort rather than wealth and privilege. I argue that the “Sideways Effect”—an increase in the demand for and price of Pinot Noir and decrease in the demand for and price of Merlot following the film’s successful showing in theaters—is evidence that the film reinforced exclusive taste hierarchies rather than promoting an inclusive ideology of “good taste.”

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Philip Hayward.  Bounty Chords:  Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands.  Eastleigh, UK:  John Libbey & Co, 2006. Pp 256.  £15.00.

Kevin Hood
Indiana University

In Philip Hayward’s Bounty Chords seemingly every aspect of music on Pitcairn Island and Norfolk Island is examined to the finest detail, leaving no proverbial stone unturned.  From the settlement of these South Pacific colonies to the present day, Bounty Chords gives the reader an interesting, though somewhat burdened history of expressive arts on the islands.

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