Corridos in Migrant Memory

Chew Sánchez, Martha I. Corridos in Migrant Memory. Albuquerque, N.M.: University of New Mexico Press, 2006. pp. 246 34 halftones, 4 maps, index. Paper $29.95.

Heather A. Vrana
Indiana University

Since the informal declaration of war between the drug cartels and the U.S. and Mexican states, the border zone at El Paso and Ciudad Juarez has become the obsession of gangs, federal police, local police, civilian vigilantes, NGOs, journalists, and academics. Corridos in Migrant Memory apprehends this border region not by spatial practice but by representational space and the song form of the corrido. Following earlier work on Mexican folk song by Américo Paredes, Vicente Mendoza, John McDowell, and Guillermo Hernández, Martha I. Chew Sánchez considers the function of corridos in migrant experience.

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Sydney Hutchinson. From Quebradita to Duranguense: Dance in Mexican American Youth Culture

Sydney Hutchinson. From Quebradita to Duranguense: Dance in Mexican American Youth Culture. Tucson: University of Arizona Press, 2007. 240 pages. $24.95 softcover.

Gustavo Ponce
Independent Scholar


Sydney Hutchinson’s From Quebradita to Duranguense: Dance in Mexican American Youth Culture is a riveting and award-worthy study. This book is simply brilliant. Hutchinson takes on the quebradita/tecnobanda dance craze of the mid 1990s. This dance style was particularly popular among Latino youth in Los Angeles and Tucson and, by 2006, it evolved into pasito duranguense in Chicago. Hutchinson presents an insightful social and critical analysis of how mainstream American culture has repeatedly failed to incorporate these subaltern groups into its political, social, and economic apparatus. Continue reading “Sydney Hutchinson. From Quebradita to Duranguense: Dance in Mexican American Youth Culture”